Theseus in Athens (page 256 with art)

Chapter 7: The Royal House of Athens

Previous Page   Table of Contents   Next Page

Euripides, Aigeus fr 9 N² – Tragicorum Graecorum Fragmenta, pp. 364-65, ed. A. Nauck, 2nd ed. Leipzig 1889.

Greek Text

Euripides, Aigeus fr 10 N² – Tragicorum Graecorum Fragmenta, p. 365, ed. A. Nauck, 2nd ed. Leipzig 1889.

Greek Text

Euripides, Aigeus fr 11 N² – Tragicorum Graecorum Fragmenta, pp. 365, ed. A. Nauck, 2nd ed. Leipzig 1889.

Greek Text

Florence, Museo Archeologico Etrusco, 91456: Attic red-figure cup with Theseus and the Marathonian Bull

florence91456pfuhlmzv3fig351bull

E. Pfuhl, Malerei und Zeichnung der Griechen vol. 3 (1923) pl. 101 fig. 351

Beazley Archive Pottery Database

London, British Museum, E36: Attic red-figure cup with Theseus and the Marathonian Bull (on left)

BM E361_l

British Museum

smithcatgkvasesbritmusvol3pl22

C.H. Smith, Catalogue of the Greek and Etruscan Vases in the British Museum, vol. 3 (1896), pl. 2

Beazley Archive Pottery Database

Paris, Musée de Louvre F271: Attic  black-figure amphora with Theseus and the Marathonian Bull

louvref271cva51928pl5610

Corpus Vasorum Antiquorum, Louvre 5 , France 8 (1928), pl. 56.10

Beazley Archive Pottery Database

Paris, Cabinet des Médailles 536 and 647: Attic red-figure cup by the Kleophrades Painter with Marathonian Bull, Theseus and Athena

cupcabmed536etal

J.C. Hoppin, Euthymides and his Fellows (1917), pl. 44

Beazley Archive Pottery Database

Sophokles, Aigeus fr 25 R – Tragicorum Graecorum Fragmenta vol. 4, p. 126, ed. S. L. Radt. Göttingen 1977.

Isokrates, Speeches 10. Helen 25

Theseus, however, being his own master, gave preference to those struggles which would make him a benefactor of either the Greeks at large or of his native land. Thus, the bull let loose by Poseidon which was ravaging the land of Attica, a beast which all men lacked the courage to confront, Theseus singlehanded subdued, and set free the inhabitants of the city from great fear and anxiety.  Greek Text

DS 4.59.6 – Diodoros Siculus, Library of History

After successfully accomplishing the deeds which we have mentioned, Theseus came to Athens and by means of the tokens caused Aegeus to recognize him. Then he grappled with the Marathonian bull which Heracles in the performance of one of his Labours had brought from Crete to the Peloponnesus, and mastering the animal he brought it to Athens; this bull Aegeus received from him and sacrificed to Apollo.  Greek Text

ApB 2.5.7 – Apollodoros, Library (Bibliotheke)

The seventh labour he enjoined on him was to bring the Cretan bull. Acusilaus says that this was the bull that ferried across Europa for Zeus; but some say it was the bull that Poseidon sent up from the sea when Minos promised to sacrifice to Poseidon what should appear out of the sea. And they say that when he saw the beauty of the bull he sent it away to the herds and sacrificed another to Poseidon; at which the god was angry and made the bull savage. To attack this bull Hercules came to Crete, and when, in reply to his request for aid, Minos told him to fight and catch the bull for himself, he caught it and brought it to Eurystheus, and having shown it to him he let it afterwards go free. But the bull roamed to Sparta and all Arcadia, and traversing the Isthmus arrived at Marathon in Attica and harried the inhabitants.  Greek Text

Fab 38 – Hyginus, Fabulae

He killed the bull at Marathon, which Hercules had brought to Eurystheus from Crete.  Latin Text

Philochoros 328F109 FGrHDie Fragmente der griechischen Historiker 3, p. 130, ed. F. Jacoby, 2d ed. Leiden 1957.

Greek Text

Kallimachus, Hekale – Callimachus, ed. R. Pfeiffer 1, pp. 226-303. Oxford 1949-53

English and Original Greek 

Previous Page   Table of Contents   Next Page

Artistic sources edited by R. Ross Holloway, Elisha Benjamin Andrews Professor Emeritus, Joukowsky Institute for Archaeology and the Ancient World, Brown Univ., July 2016; and by Frances Van Keuren, Prof. Emerita, Lamar Dodd School of Art, Univ. of Georgia, January 2017.

Literary sources edited by Patrick Dix, Graduate Teaching Assistant, University of Georgia Classics Departments, November 2017. Updated by Elena Bianchelli, Retired Senior Lecturer of Classical Languages and Culture, Univ. of Georgia, March 2023.

 1,006 total views,  4 views today